Went from nothin’ to somethin’, likin’ to lovin’ It’s just a cat and mouse game, always starts the sameįirst we’re both down to play, then somehow you go astray Then, over a spooky instrumental that sounds like something out of a horror movie, Azalea begins to rap about a love gone sour: I’m gonna love you, I’m gonna love you, I’m gonna love you You shoulda known better than to mess with me harder Over handclaps and ominous synths, Ora sings with a growing intensity:Īnd I’m gonna show you what’s really crazy With her latest song “Fancy” steadily climbing the charts and a rumor that she's featured on Ariana Grande’s upcoming single, “Problem,” do you think Azalea’s poised for stateside stardom with “Black Widow”?Īs soon as you press play, “Black Widow” grabs a hold of you with its powerful, almost menacing chorus. From the song’s structure to its “trap-lite” beats (a term coined by Idolator’s Carl Williott), “Black Widow” sounds a lot like Perry’s “Dark Horse” - but I have a feeling that’s exactly why the song appealed to Azalea in the first place. Iggy Azalea’s long-awaited debut album The New Classic has leaked online, and that means we finally get to hear the Australian rapper’s new Katy Perry-penned track, “Black Widow.” Featuring British singer Rita Ora, “Black Widow” is an eerie rap-pop fusion with a soaring chorus and a catchy trap breakdown.
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